Tanya Saracho and “El Nogalar”: Mexican? American? Call Her Writer | Intimate Excellent
IN reviewing the ebullient play “Kita y Fernanda” in 2008, a Chicago critic called its young author, Tanya Saracho, “the Chicana Chekhov” for her deft blend of comedy and drama. It’s hardly surprising, then, that her loose adaptation of Chekhov’s “Cherry Orchard,” titled “El Nogalar,” is set against the bloody backdrop of Mexico’s drug wars. But the […]
